{"id":5746,"date":"2023-02-19T00:06:40","date_gmt":"2023-02-19T03:06:40","guid":{"rendered":"https:\/\/www.analuizakoehler.com\/becodorosario\/?p=5746"},"modified":"2023-02-19T00:06:40","modified_gmt":"2023-02-19T03:06:40","slug":"carnaval-era-balde-de-agua","status":"publish","type":"post","link":"https:\/\/www.analuizakoehler.com\/becodorosario\/carnaval-era-balde-de-agua\/","title":{"rendered":"&#8220;Carnaval era balde de \u00e1gua&#8221;"},"content":{"rendered":"<h2><strong>\u201cChamava-se \u2018Entrudo\u2019, \u2013 \u2018jogos de Entrudo\u2019 \u2013 e al\u00e7ava a urbes de um golpe.<\/strong><\/h2>\n<p>O povo sa\u00eda pra rua, aos magotes, com a \u2018fantasia\u2019 mais \u00e0 m\u00e3o \u2013 um len\u00e7ol, uma colcha, uma casaca velha, uma saia fora de uso, uma cartola furada, \u2013 pintava a cara de preto, prolongava o corte da b\u00f4ca com dois largos riscos vermelhos, e atracava-se a baldes d\u2019\u00e1gua, nas esquinas, nos largos e at\u00e9 dentro das casas que eram invadidas sem o menor constrangimento.<\/p>\n<p>Ningu\u00e9m tinha o direito&nbsp; de enfadar-se com os banhos nem com os trotes que, \u00e0s vezes, chegavam a passar da conta.<\/p>\n<p>Homens de compostura, senhoras discret\u00edssimas, mocinhas recatadas, nesses tres dias de Momo eram verdadeiros demonios soltos na folia provinciana.<\/p>\n<p>\u2013 Voc\u00ea me conhece?<\/p>\n<p>O interpelado se atarantava, n\u00e3o respondia, procurava desvencilhar-se do grupo atacante, mergulhava no primeiro corredor que visse pela frente.<\/p>\n<p>In\u00fatil. Os foli\u00f5es perseguiam o fugitivo, aos berros e empuch\u00f5es, agarravam-lhe as abas esvoa\u00e7antes do fraque, entornavam-lhe em cima, sem d\u00f3 nem piedade, jarras, canecas, ca\u00e7ambas de \u00e1gua suja que iam recolhendo pelo caminho, nas fontes, nas bicas e at\u00e9 nas sargetas\u2026<\/p>\n<p>O infeliz, encharcado, for\u00e7ava um riso de quem estivesse achando aquilo tudo muito bonito e tocava pra casa, pingando como um pinto.<\/p>\n<figure id=\"attachment_5750\" aria-describedby=\"caption-attachment-5750\" style=\"width: 842px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5750\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112.jpg\" alt=\"Thierry Fr\u00e8res, Sc\u00e8ne de Carnaval. Acervo iconogr\u00e1fico da Biblioteca Nacional. Gravura reproduzindo aquarela de Jean-Baptiste Debret (1768-1848) em Voyage pittoresque et historique au Br\u00e9sil. Tome deuxi\u00e8me. p. 37. Dispon\u00edvel em: http:\/\/objdigital.bn.br\/acervo_digital\/div_iconografia\/icon326377\/icon326377_112.jpg\" width=\"842\" height=\"723\" srcset=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112.jpg 842w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-300x258.jpg 300w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-768x659.jpg 768w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-10x10.jpg 10w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-432x371.jpg 432w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-396x340.jpg 396w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-660x567.jpg 660w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/icon326377_112-256x220.jpg 256w\" sizes=\"auto, (max-width: 600px) 91vw, (max-width: 900px) 600px, (max-width: 1060px) 50vw, (max-width: 1200px) 520px, (max-width: 1400px) 43vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-5750\" class=\"wp-caption-text\">Thierry Fr\u00e8res, Sc\u00e8ne de Carnaval. Acervo iconogr\u00e1fico da Biblioteca Nacional. Gravura reproduzindo aquarela de Jean-Baptiste<br \/>Debret (1768-1848) em Voyage pittoresque et historique au Br\u00e9sil. Tome deuxi\u00e8me. p. 37. Dispon\u00edvel em: http:\/\/objdigital.bn.br\/acervo_digital\/div_iconografia\/icon326377\/icon326377_112.jpg<\/figcaption><\/figure>\n<p>Na quarta-feira de cinzas, passados os festejos populares, a cidade amanhecia com um ar amarelo, refriada a espirradora \u2013 s\u00f3 dava d\u00f4r-de-cabe\u00e7a, moleza no corpo, nariz gotejante.<\/p>\n<p>Isso tudo era o povo que fazia, \u00e0 sua conta e risco.<\/p>\n<p>[\u2026]<\/p>\n<p>Carnaval era balde de \u00e1gua. E do balde de \u00e1gua evoluiu para o \u2018lim\u00e3o\u2019.<\/p>\n<p>Canec\u00f5es e ca\u00e7ambas cederam lugar \u00e0 volumosa bola de cera que era jogada em cheio no peito, nas costas, na cara do transeunte incauto.<\/p>\n<p>Dias antes, as f\u00f4rmas eram dispostas, a cera preparada e as infus\u00f5es de cravo cevadas e sacudidas dentro de vastos garraf\u00f5es bojudos.<\/p>\n<figure id=\"attachment_5751\" aria-describedby=\"caption-attachment-5751\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-5751\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-1024x645.jpg\" alt=\"&quot;Games during the carnival at Rio de Janeiro&quot;, aquarela de Augustus Earle (1793-1838). Dispon\u00edvel em: https:\/\/nla.gov.au\/nla.obj-134509200\/view\" width=\"660\" height=\"416\" srcset=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-1024x645.jpg 1024w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-300x189.jpg 300w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-768x484.jpg 768w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-10x6.jpg 10w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-432x272.jpg 432w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-396x250.jpg 396w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-1120x706.jpg 1120w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-660x416.jpg 660w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle-349x220.jpg 349w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/Games-during-the-carnival-at-Rio-de-Janeiro-Augustus-Earle.jpg 1347w\" sizes=\"auto, (max-width: 600px) 91vw, (max-width: 900px) 600px, (max-width: 1060px) 50vw, (max-width: 1200px) 520px, (max-width: 1400px) 43vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-5751\" class=\"wp-caption-text\">&#8220;Games during the carnival at Rio de Janeiro&#8221;, aquarela de Augustus Earle (1793-1838). Dispon\u00edvel em: https:\/\/nla.gov.au\/nla.obj-134509200\/view<\/figcaption><\/figure>\n<p>A folhinha marcava a entrada do Rei Momo nos limites da vila. A popula\u00e7\u00e3o se despejava na rua com balaios e sacolas de lim\u00f5es e dava in\u00edcio aos folguedos que mais pareciam combates pela sua rudeza.<\/p>\n<p>Quereis uma prova dessa rudeza?<\/p>\n<p>Nas ruas mais movimentadas, os moradores retiravam t\u00f4das as vidra\u00e7as dos pr\u00e9dios!<\/p>\n<p>Arre!&#8221;<\/p>\n<p>Athos Damasceno Ferreira.&nbsp;<\/p>\n<figure id=\"attachment_5752\" aria-describedby=\"caption-attachment-5752\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-5752\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-1024x738.jpg\" alt=\"&quot;Charge d'O Guarany, atribu\u00edda a I. Weing\u00e4rtner e a prop\u00f3sito do primeiro Carnaval de Corso, em Porto Alegre - 1874&quot;. Athos Damasceno Ferreira, &quot;Imprensa caricata do Rio Grande do Sul no s\u00e9culo XIX&quot;. Ed. Globo, 1962.\" width=\"660\" height=\"476\" srcset=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-1024x738.jpg 1024w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-300x216.jpg 300w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-768x553.jpg 768w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-1536x1107.jpg 1536w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-2048x1476.jpg 2048w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-10x7.jpg 10w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-432x311.jpg 432w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-396x285.jpg 396w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-1120x807.jpg 1120w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-660x476.jpg 660w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2023\/02\/FERREIRA-Athos-Damasceno-O-Guarany-1874-Corso-305x220.jpg 305w\" sizes=\"auto, (max-width: 600px) 91vw, (max-width: 900px) 600px, (max-width: 1060px) 50vw, (max-width: 1200px) 520px, (max-width: 1400px) 43vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-5752\" class=\"wp-caption-text\">&#8220;Charge d&#8217;O Guarany, atribu\u00edda a I. Weing\u00e4rtner e a prop\u00f3sito do primeiro Carnaval de Corso, em Porto Alegre &#8211; 1874&#8221;. Athos Damasceno Ferreira, &#8220;Imprensa caricata do Rio Grande do Sul no s\u00e9culo XIX&#8221;. Ed. Globo, 1962.<\/figcaption><\/figure>\n<h3><strong>Refer\u00eancias:<\/strong><\/h3>\n<p>FERREIRA, Athos Damasceno. <em>Imagens sentimentais da cidade<\/em>. Porto Alegre: Livraria do Globo, 1940. pp. 178-185<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cChamava-se \u2018Entrudo\u2019, \u2013 \u2018jogos de Entrudo\u2019 \u2013 e al\u00e7ava a urbes de um golpe. O povo sa\u00eda pra rua, aos magotes, com a \u2018fantasia\u2019 mais \u00e0 m\u00e3o \u2013 um len\u00e7ol, uma colcha, uma casaca velha, uma saia fora de uso, uma cartola furada, \u2013 pintava a cara de preto, prolongava o corte da b\u00f4ca com [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[352],"tags":[],"class_list":["post-5746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-costumes","entry-image--landscape"],"_links":{"self":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/5746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/comments?post=5746"}],"version-history":[{"count":4,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/5746\/revisions"}],"predecessor-version":[{"id":5753,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/5746\/revisions\/5753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/media\/5752"}],"wp:attachment":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/media?parent=5746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/categories?post=5746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/tags?post=5746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}