{"id":330,"date":"2016-01-15T11:07:01","date_gmt":"2016-01-15T13:07:01","guid":{"rendered":"https:\/\/becodorosario.wordpress.com\/?p=330"},"modified":"2022-03-27T22:27:49","modified_gmt":"2022-03-28T01:27:49","slug":"arlindo","status":"publish","type":"post","link":"https:\/\/www.analuizakoehler.com\/becodorosario\/arlindo\/","title":{"rendered":"Arlindo"},"content":{"rendered":"<p style=\"text-align: justify;\">Personagem que aparece no volume 2, e que tive a id\u00e9ia de criar quando olhei esta&nbsp;fotografia no livro<em> Estatu\u00e1ria, Catolicismo e Gauchismo<\/em>*:<\/p>\n<figure id=\"attachment_323\" aria-describedby=\"caption-attachment-323\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-323\" src=\"https:\/\/becodorosario.files.wordpress.com\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc.jpg\" alt=\"Doberstein_2002_p119_alegoria_das_ci\u00eancias_antigoJC\" width=\"500\" height=\"703\" srcset=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc.jpg 500w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc-213x300.jpg 213w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc-7x10.jpg 7w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc-432x607.jpg 432w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc-396x557.jpg 396w, https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/doberstein_2002_p119_alegoria_das_cincias_antigojc-156x220.jpg 156w\" sizes=\"auto, (max-width: 600px) 91vw, (max-width: 900px) 600px, (max-width: 1060px) 50vw, (max-width: 1200px) 520px, (max-width: 1400px) 43vw, 600px\" \/><figcaption id=\"caption-attachment-323\" class=\"wp-caption-text\">&#8220;Alegoria das Ci\u00eancias, antigo Col\u00e9gio J\u00falio de Castilhos, de Giuseppe Gaudenzi.&#8221; (Doberstein, 2002, p. 119)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Este livro foi fundamental para tentar recriar o ambiente e a realidade de trabalho dos escultores e estatu\u00e1rios porto-alegrenses do in\u00edcio do s\u00e9culo XX. Esses eram os profissionais que elaboravam e executavam os frisos, compoteiras, est\u00e1tuas e ornamenta\u00e7\u00f5es arquitet\u00f4nicas dos pr\u00e9dios ecl\u00e9ticos constru\u00eddos em Porto Alegre, especialmente no per\u00edodo &nbsp;de 1910 a 1914.<\/p>\n<p style=\"text-align: justify;\">O&nbsp;menino na fotografia \u00e9 sem d\u00favida um daqueles detalhes que s\u00f3 se descobre atrav\u00e9s da pesquisa, contribuindo para dar verossimilhan\u00e7a \u00e0 hist\u00f3ria ficcional. O trabalho infantil era uma realidade em diversos segmentos da economia urbana, especialmente na ind\u00fastria. Afim de mostrar isso, desenhei um personagem baseado nele, e coloco abaixo alguns dos&nbsp;estudos para definir sua apar\u00eancia:<\/p>\n<div id='gallery-1' class='gallery galleryid-330 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo_w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo02_w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo_teaser-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo06_w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo05_w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-content\/uploads\/2016\/01\/sketchbook_canson100g_a4_arlindo04_w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>* DOBERSTEIN, Arnoldo Walter. <em>Estatu\u00e1rios, Catolicismo e Gauchismo<\/em>. Porto Alegre: EDIPUCRS, 2002.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Personagem que aparece no volume 2, e que tive a id\u00e9ia de criar quando olhei esta&nbsp;fotografia no livro Estatu\u00e1ria, Catolicismo e Gauchismo*: Este livro foi fundamental para tentar recriar o ambiente e a realidade de trabalho dos escultores e estatu\u00e1rios porto-alegrenses do in\u00edcio do s\u00e9culo XX. Esses eram os profissionais que elaboravam e executavam os [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[351,348],"tags":[57,67,108],"class_list":["post-330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-making-of","category-sketchbook","tag-pesquisa","tag-sketchbook","tag-cores-digitais","entry-image--portrait"],"_links":{"self":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/comments?post=330"}],"version-history":[{"count":3,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/330\/revisions"}],"predecessor-version":[{"id":5455,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/posts\/330\/revisions\/5455"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/media\/327"}],"wp:attachment":[{"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/categories?post=330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.analuizakoehler.com\/becodorosario\/wp-json\/wp\/v2\/tags?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}